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Around 1145 the Southern Song dynasty official Lou Shu inaugurated a genre known as pictures of tilling and weaving through the creation of a pair of paintings that depicted farming families cultivating grain and weaving silk cloth. Each pain ting scroll was devoted to illustrating one of forty-five discrete procedures employed in these processes, and each step was accompanied by a poem. The Pictures of Tilling and Weaving document scientific techniques of agrarian labor and provide commentary on Southern Song society and politics.
The original Pictures as designed by Lou Shu are lost, but this book through consideration of extant Southern Song and Yuan paintings offers a reconstruction of the earliest imagery. In reclaiming the original format of the Pictures, Roslyn 博客來網路書店Lee Hammers situates the paintings as works of art that engage with Song dynasty artistic practices as well as document the state of Song technology. She argues that these works participated in debates on earlier Northern Song reforms and these movements' validity for Southern Song society. Central to this argument is an analysis of the poems to the procedures of the Pictures of Tilling and Weaving. These poems, which have received little attention in previous scholarship on the Pictures, are translated in their entirety for the first time in a non-Asian language and are systematically analyzed to demonstrate the larger philosophical and political messages of the entire Pictures of Tilling and Weaving project. After establishing the initial import of the Pictures as conceived by Lou Shu, the book considers the appeal of the genre throughout the Song and Yuan dynasties, when the pain tings and poems were reconfigured by emperors, scholar-officials, and other elite members of society, deployed to comment on the legitimacy of conflicting political ideologies and on historical circumstances.
作者簡介
Roslyn Lee Hammers
Roslyn Lee Hammers is assistant professor of fine arts at the University of Hong Kong.
Pictures of Tilling and Weaving是本不錯的藝術設計﹐是這今年出來的新鮮貨，這幾天看了許多評價等相關文章後
賣場嚴選
，內容的每一個細節卻都令人驚艷，真的不錯，內容精彩！
好看的藝術設計Pictures of Tilling and Weaving全書的內容大意
看完心情愉快, 正能量滿滿,總會覺得彷彿一伸出雙手便能擁抱全世界！
Pictures of Tilling and Weaving總而言之，它的評價很高，誠意推薦給大家看喔!
Pictures of Tilling and Weaving曾在博客來 網路書店造成搶購熱潮。
作者： Roslyn Lee Hammers
新功能介紹- 出版社：香港大學出版社
新功能介紹 - 出版日期：2011/09/01
- 語言：繁體中文
最新與最多的藝術設計，每日都有特價商品推薦是網路書店購書最佳選擇！
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作者： Roslyn Lee Hammers
新功能介紹- 出版社：香港大學出版社 博客來
新功能介紹 - 出版日期：2011/09/01
- 語言：繁體中文
Around 1145 the Southern Song dynasty official Lou Shu inaugurated a genre known as pictures of tilling and weaving through the creation of a pair of paintings that depicted farming families cultivating grain and weaving silk cloth. Each pain ting scroll was devoted to illustrating one of forty-five discrete procedures employed in these processes, and each step was accompanied by a poem. The Pictures of Tilling and Weaving document scientific techniques of agrarian labor and provide commentary on Southern Song society and politics.
The original Pictures as designed by Lou Shu are lost, but this book through consideration of extant Southern Song and Yuan paintings offers a reconstruction of the earliest imagery. In reclaiming the original format of the Pictures, Roslyn Lee Hammers situates the paintings as works of art that engage with Song dynasty artistic practices as well as document the state of Song technology. She argues that these works participated in debates on earlier Northern Song reforms and these movements' validity for Southern Song society. Central to this argument is an analysis of the poems to the procedures of the Pictures of Tilling and Weaving. These poems, which have received little attention in previous scholarship on the Pictures, are translated in their entirety for the first time in a non-Asian language and are systematically analyzed to demonstrate the larger philosophical and political messages of the entire Pictures of Tilling and Weaving project. After establishing the initial import of the Pictures as conceived by Lou Shu, the book considers the appeal of the genre throughout the Song and Yuan dynasties, when the pain tings and poems were reconfigured by emperors, scholar-officials, and other elite members of society, deployed to comment on the legitimacy of conflicting political ideologies and on historical circumstances.
作者簡介
Roslyn Lee Hammers
Roslyn Lee Hammers is assistant professor of fine arts at the University of Hong Kong.
Pictures of Tilling and Weaving
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Pictures of Tilling and Weaving
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